{"id":12023,"date":"2025-06-21T12:30:21","date_gmt":"2025-06-21T12:30:21","guid":{"rendered":"https:\/\/www.serapdemirag.com.tr\/?page_id=12023"},"modified":"2025-06-21T12:37:41","modified_gmt":"2025-06-21T12:37:41","slug":"gulseren-sonmez","status":"publish","type":"page","link":"https:\/\/www.serapdemirag.com.tr\/?page_id=12023","title":{"rendered":"G\u00fclseren S\u00f6nmez"},"content":{"rendered":"

[vc_row][vc_column][vc_empty_space height=”120″][vc_custom_heading text=”SERAP DEM\u0130RA\u011e Resimleri Epik \u015eiirdir” font_container=”tag:h2|text_align:left|color:%23DD3333″ use_theme_fonts=”yes” css=””][vc_empty_space height=”10″][vc_row_inner][vc_column_inner width=”1\/3″][vc_single_image image=”12025″ img_size=”medium” css=””][\/vc_column_inner][vc_column_inner width=”1\/3″][\/vc_column_inner][vc_column_inner width=”1\/3″][\/vc_column_inner][\/vc_row_inner][vc_empty_space][vc_column_text css=””]Onlar\u0131n kal\u0131nt\u0131lar\u0131ndan do\u011facak \u015fafa\u011f\u0131m,<\/em><\/p>\n

Benim g\u00f6rd\u00fcklerimi d\u00fc\u015f\u00fcnde bile g\u00f6rmemi\u015f \u015fafak.<\/em><\/p>\n

\u00a0ARAGON<\/strong><\/em><\/p>\n

Yapmam gereken: \u201cOlmam\u0131\u015f oldu\u011fumu, olmak,\u201d<\/em><\/p>\n

Zaman\u0131n d\u0131\u015f\u0131na \u00e7\u0131k\u0131yorum \u00e7o\u011fu kez. O duruyor, ben gidiyorum.<\/em><\/p>\n

Bayraks\u0131z g\u00f6ky\u00fcz\u00fcd\u00fcr resimlerim.<\/em><\/p>\n

SERAP DEM\u0130RA\u011e<\/em><\/strong><\/p>\n

\u00a0<\/em>A\u015fk\u0131n ald\u0131 benden beni,<\/em><\/p>\n

Bana seni gerek seni<\/em><\/p>\n

Ben yanar\u0131m d\u00fcn\u00fc g\u00fcn\u00fc,<\/em><\/p>\n

Bana seni gerek seni\u00a0\u00a0\u00a0\u00a0\u00a0<\/em><\/p>\n

Yunus EMRE<\/em><\/strong><\/p>\n

 <\/p>\n

Serap Demira\u011f\u2019\u0131n resimleri pitoresktir, i\u00e7inde sevgiyi, a\u015fk\u0131 ta\u015f\u0131r.<\/p>\n

Yunus Emre\u2019nin Allah\u2019\u0131 sevmesi gibi saft\u0131r, i\u00e7tendir, temizdir. Kendine has ve \u00f6zeldir. T\u00fcm resimleri ruhunun dilidir. O dil ak\u0131p gelir. Arkas\u0131nda kir b\u0131rakmadan.<\/p>\n

El dokunulmayacak kadar g\u00fczeldir. O do\u011fadaki ve i\u00e7indeki muhte\u015fem d\u00fczene sayg\u0131 duyar. Onlar\u0131n ona verdi\u011fi g\u00fcc\u00fc, ortaya eserler koyar. Her eser liriktir, tarihte yaz\u0131lm\u0131\u015f t\u00fcm epik \u015fiirleri i\u00e7inde ta\u015f\u0131r. \u0130\u00e7indeki hi\u00e7 dokunulmam\u0131\u015f mana resimlerle, yaz\u0131larla maddeye indirgenir. Bu durum i\u00e7indeki imgelerin sembollerin sanatla\u015fmas\u0131d\u0131r. \u00c7\u00fcnk\u00fc sanat sembollerle ileti\u015fim kurar.<\/p>\n

Ki\u015fi d\u00fc\u015f\u00fcnsel anlamda yolculu\u011fa \u00e7\u0131kmam\u0131\u015f veya kendine ba\u015f kald\u0131rmam\u0131\u015fsa i\u00e7sel yolculu\u011fa \u00e7\u0131kamaz. Ya\u015fad\u0131\u011f\u0131 d\u00fcnyadan ka\u00e7arak kendi i\u00e7ine d\u00f6nerek ilk \u00f6nce orada yolcu olup, yola koyulur. \u0130\u00e7e d\u00f6n\u00fck yolculuk, ki\u015filerin kendilerini fark etmeleriyle eyleme d\u00f6n\u00fc\u015f\u00fcr. Bu a\u00e7\u0131dan bu iki yolculuk hem birbirlerinin sebebi hem de sonucudur.<\/p>\n

\u0130nsan kendisinin aynas\u0131 olursa, ki\u015fi kendi kendisinin d\u0131\u015f\u0131na \u00e7\u0131kma imk\u00e2n\u0131na sahip demektir. \u0130nsan\u00a0\u201ckendi kendimden ka\u00e7\u0131p ka\u00e7amayaca\u011f\u0131m\u0131 denemek istiyorum. Bunun i\u00e7in geziniyorum,\u201d<\/em> diyerek, insan\u0131n varolu\u015fsal \u00e7\u0131kmaz\u0131n\u0131 dile getirir. \u0130nsan kendi aynas\u0131 olursa tanr\u0131n\u0131n bir yans\u0131mas\u0131 oldu\u011funu da kavrar.<\/p>\n

\u0130nsan, kendinde g\u00f6r\u00fcnenin ard\u0131ndaki ger\u00e7e\u011fi ke\u015ffetmek zorundad\u0131r. Kar\u015f\u0131 kar\u015f\u0131ya kald\u0131\u011f\u0131 sorunlar\u0131n en b\u00fcy\u00fc\u011f\u00fc ise, ya\u015fam\u0131 y\u00f6nlendirmek, ya da y\u00f6nlendirilmeye g\u00f6z yummak yolundad\u0131r.\u00a0 Bilin\u00e7tir bulundu\u011fu boyutu a\u015fan. Evrim basamaklar\u0131 da b\u00f6yle \u00e7\u0131k\u0131l\u0131r. Ba\u015fka nas\u0131l haz\u0131rlan\u0131r ki, yar\u0131n\u0131n tohumlar\u0131na topraklar. Dikkat edilmesi gereken en \u00f6nemli noktaysa, ki\u015finin varolu\u015fu ararken, kendine sad\u0131k kalmas\u0131 ve d\u00fcr\u00fcst olmas\u0131d\u0131r.<\/p>\n

Sanat\u00e7\u0131; sanki astral seyahate \u00e7\u0131kar, d\u00fcnyay\u0131, \u00fclkeleri \u015fehirleri, dola\u015f\u0131r. O y\u00f6re insanlar\u0131yla sohbet eder, bildikleri efsaneleri \u00f6\u011frenir. Deniz k\u0131y\u0131s\u0131ndaki kum taneleriyle konu\u015fur, olu\u015fumlar\u0131n\u0131 \u00f6\u011frenir.\u00a0 Deniz dibine iner deniz hayvanlar\u0131yla konu\u015fur. Konu\u015furken \u0131\u015f\u0131\u011f\u0131yla onlar\u0131 ayd\u0131nlat\u0131r. Onlar da o \u0131\u015f\u0131\u011fa bildiklerini anlat\u0131rken, d\u00fcnyalar\u0131n\u0131n s\u0131rlar\u0131n\u0131 da verirler.\u00a0 O s\u0131rlar ki yery\u00fcz\u00fcnde bilinmeyendir.<\/p>\n

Sanat\u00e7\u0131 bu \u00f6\u011frendikleriyle yetinmez, g\u00f6ky\u00fcz\u00fcne \u00e7\u0131kar, \u0130\u015ftar gezegenine selam verir. \u0130\u015ftar gezegeninde Umay Anay\u2019la kar\u015f\u0131la\u015f\u0131r, ondan yol ister. Umay Ana da s\u0131rt\u0131n\u0131 s\u0131vazlar,\u00a0\u201cG\u00f6n\u00fcl g\u00f6z\u00fcn a\u00e7\u0131ld\u0131, kalk y\u00fcr\u00fc yolun, baht\u0131n a\u00e7\u0131k olsun,\u201d<\/em>\u00a0der.\u00a0 G\u00f6n\u00fcl g\u00f6z\u00fc a\u00e7\u0131lan… D\u00fcnya\u2019y\u0131 gezdi\u011fi gibi, kendi i\u00e7 d\u00fcnyas\u0131nda da gezinir. \u015ea\u015f\u0131rarak i\u00e7indeki y\u00fczy\u0131llar\u0131, bin y\u0131llar\u0131 bulur.<\/p>\n

Art\u0131k yery\u00fcz\u00fcndedir, durmak bilmez, edindiklerini renk ve bi\u00e7imlerle tuval \u00fczerine aktarmak i\u00e7in sab\u0131rs\u0131zlan\u0131r.\u00a0 Aktar\u0131rken gezdi\u011fi yerleri hayal eder. Hayalinde \u00e7atlam\u0131\u015f toprakla kar\u015f\u0131la\u015f\u0131r, onu i\u00e7ine \u00e7ekercesine izler; O art\u0131k resminim konusunun dokusunu olu\u015fturur. Resimdeki \u00e7atlam\u0131\u015f toprak katmanlar\u0131 aras\u0131na s\u0131k\u0131\u015fm\u0131\u015f kad\u0131n\u0131n orada i\u015fi ne, dersiniz. Kad\u0131n uzan\u0131r kalemlere\u2026<\/p>\n

O da ne?<\/p>\n

Kad\u0131n\u0131n elleri erimi\u015f, O toprak katmanlar\u0131n\u0131n kar\u015f\u0131 k\u0131y\u0131s\u0131ndad\u0131r eller. Neden par\u00e7alanm\u0131\u015f? Bu toprak seramik bir eser mi? Birbirine perde ge\u00e7meleri i\u00e7in kullan\u0131lan metal halkalara iplerle ba\u011flan\u0131r, di\u011fer par\u00e7as\u0131na. Bu resim ger\u00e7e\u011fi mi anlat\u0131yor, yoksa hayal d\u00fcnyas\u0131nda m\u0131 geziniyor. Neden bu kadar \u0131\u015f\u0131kl\u0131?\u00a0 Neden g\u00fczel diyorum? Beni ona \u00e7eken ne? Resimdeki gizem mi, gizemi nereden \u00f6\u011frendi. Topraktan m\u0131, kad\u0131ndan m\u0131?\u00a0 Yoksa uzayla yery\u00fcz\u00fc aras\u0131nda gidip gelen ak\u0131\u015ftan m\u0131, i\u00e7 d\u00fcnyas\u0131ndan m\u0131?\u00a0 O yery\u00fcz\u00fc katmanlar\u0131n\u0131 dola\u015f\u0131p gezerken mi \u00f6\u011frendi.\u00a0 Hayal d\u00fcnyas\u0131nda gezmeyi…<\/p>\n

I\u015f\u0131k \u2013 ate\u015fe, ate\u015f- \u0131\u015f\u0131\u011fa tapt\u0131. Birle\u015fip sonsuzluk deryas\u0131na dald\u0131lar. Varl\u0131klar\u0131 birbirini \u00e7o\u011faltt\u0131. Bazen atom par\u00e7aland\u0131. Yery\u00fcz\u00fc \u0131\u015f\u0131k ve ate\u015f topuna d\u00f6nd\u00fc. \u0130nsan\u0131 meydana getiren milyonlarca atom da var olmak, \u0131\u015f\u0131k sa\u00e7mak ve enerji da\u011f\u0131tmak i\u00e7in s\u0131ra bekliyor. E\u011fer sanat\u00e7\u0131 ise o enerji, o \u0131\u015f\u0131k eser olarak ortaya \u00e7\u0131k\u0131yor.<\/p>\n

Her \u015fey var, her \u015fey yok. Varl\u0131ktan hi\u00e7lik, hi\u00e7likten yokluk mu do\u011fdu?<\/p>\n

Serap Demira\u011f\u2019\u0131n eserleri imgesel fantezilerin de\u011fi\u015fik kendine \u00f6zg\u00fc anlat\u0131mlar\u0131\u2026 Eserlerindeki somut nesneler konunun i\u00e7inde farkl\u0131la\u015farak \u2018mana\u2019 ya d\u00f6n\u00fc\u015fmekte, anlat\u0131ma g\u00fc\u00e7 katmakta\u2026 \u0130zleyene farkl\u0131 bir d\u00fcnyay\u0131 izliyormu\u015f duygusunu vermekte.<\/p>\n

Serap Demira\u011f\u2019\u0131n resimleri kendine has farkl\u0131 bir terminoloji olu\u015fturuyor, farkl\u0131 farkl\u0131 anlat\u0131mlara neden oluyor.<\/p>\n

Serap Demira\u011f\u2019\u0131n resimlerinde elma, elma olmaktan \u00e7\u0131k\u0131yor, evren bo\u015flu\u011funda olacak olaylara kucak a\u00e7arak yeni olu\u015fumlar\u0131 kucakl\u0131yor. Su zerrecikleri \u0131\u015f\u0131\u011f\u0131n kristal i\u00e7inde hapsedilmesi, her nesnenin uzayda yer almas\u0131 gibi\u2026 Resmin nesnelerindeki objelerde \u0131\u015f\u0131k g\u00f6lge, d\u00fc\u015fen g\u00f6lge varken, bilinen bir mek\u00e2nda yer alam\u0131yor, hep bo\u015flukta. Bo\u015fluk i\u00e7inde kendine has mek\u00e2nda yer al\u0131yorken\u2026 Mek\u00e2n bu resimlerde uzay bo\u015flu\u011fu, bazen objeler bu bo\u015fluk katmanlar\u0131 aras\u0131nda yer al\u0131yor. Ben yine de var\u0131m, bir b\u00fct\u00fcn\u00fcm diyor.<\/p>\n

Bir resminde renk katmanlar\u0131 aras\u0131ndaki kediyi izliyorum. Kediyi; koruyucu auras\u0131 i\u00e7ine alm\u0131\u015f, terbiyeli masum g\u00fczel varl\u0131k. O da ne? Kedinin \u00fczerinden d\u00f6k\u00fcl\u00fcp gelen alt\u0131n zerrecikleri\u2026\u00a0 Bir kad\u0131n eli yumu\u015fac\u0131k \u00f6rtm\u00fc\u015f o zerrecikleri\u2026\u00a0 Yoksa bu kedi\u2026 Masal d\u00fcnyas\u0131ndaki sihirli kedi mi?\u00a0 Etrafta yery\u00fcz\u00fcne inen su damlac\u0131klar\u0131, hapsetmi\u015f \u0131\u015f\u0131klar\u0131\u2026 Bu auro i\u00e7ine gizlenmi\u015f bir kad\u0131n neden iki b\u00fckl\u00fcm?<\/p>\n

Ba\u015fka bir resminde, zaman katmanlar\u0131 aras\u0131nda yer alm\u0131\u015f bir kad\u0131n\u2026 Resimdeki kad\u0131n, hayat\u0131ndaki y\u00fczy\u0131llara bakarak delmi\u015f ya\u015fam katmanlar\u0131n\u0131. Derinlerden \u00e7ok derinlerden geliyor.\u00a0 \u00c7\u0131kmak i\u00e7in engine g\u00f6ky\u00fcz\u00fcne bak\u0131yor.<\/p>\n

Hep umudu var. Hep umudu var\u2026<\/p>\n

Bir ba\u015fka resimde, kalemle yaz\u0131l\u0131yor hayatlar k\u00e2\u011f\u0131t rulolara\u2026 K\u00e2\u011f\u0131t rulolara yaz\u0131lm\u0131\u015f ge\u00e7mi\u015f, hemen ba\u011flan\u0131yor yenileriyle; hayat yeniden ba\u015fl\u0131yor, yumurtalardan \u00e7\u0131kan civcivlerle\u2026<\/p>\n

Her zaman hayat\u0131n her katman\u0131nda kurtar\u0131c\u0131 gibi kad\u0131n eli yer al\u0131yor. Fadime Ana\u2019n\u0131n eli gibi\u2026<\/p>\n

Hayat\u0131n her katman\u0131nda kad\u0131n\u2026<\/p>\n

Ya\u015fam insana hediye edilmi\u015f bir inci tanesi.<\/p>\n

Serap Demira\u011f\u2019\u0131n resimlerinde \u00e7o\u011funlukla yer verdi\u011fi VAV\u2019lar da Allah inanc\u0131n\u0131n simgesi<\/p>\n

Serap Demira\u011f \u00e7al\u0131\u015fmalar\u0131nda sanki hayat\u0131n anlar\u0131n\u0131 \u00fcst \u00fcste bindirerek t\u00fcm insani duygular\u0131, ac\u0131y\u0131, fedak\u00e2rl\u0131\u011f\u0131, mutlulu\u011fu, sayg\u0131y\u0131, sevgiyi, var olman\u0131n derin duygusunu ve bu duygular\u0131n i\u00e7inde bile belirsizli\u011fin olabilece\u011fini g\u00f6steriyor. Bu belirsizli\u011fin i\u00e7indeki insan\u0131n da ac\u0131 duyaca\u011f\u0131n\u0131 ve g\u00fcvensizli\u011fin olabilece\u011fini, hatta i\u00e7inde a\u015fk\u0131n da olabilece\u011fini g\u00f6zler \u00f6n\u00fcne seriyor.<\/p>\n

Her resminde \u201cA\u015eK\u201d\u0131, izlerken, ac\u0131y\u0131, tela\u015f\u0131, sevginin doruk yapt\u0131\u011f\u0131n\u0131, Nirvana\u2019ya eri\u015fti\u011fini, buruk g\u00fczelliklerin de var oldu\u011funu g\u00f6r\u00fcyorum.<\/p>\n

Serap Demira\u011f\u2019\u0131n \u00e7al\u0131\u015fmalar\u0131, insan\u0131n her \u2018an\u2019\u0131n\u0131n bin y\u0131llar \u00f6tesinden, atalar\u0131ndan getirdi\u011fi, kendisinde de biriktirdi\u011fi zengin duygular\u0131n resim olarak g\u00f6r\u00fcnt\u00fcs\u00fc.<\/p>\n

\u0130zleyen her insan bu resimlerdeki kuvvetli metaforlar\u0131 g\u00f6rerek d\u00fc\u015f\u00fcncelere dal\u0131yor.<\/p>\n

\u0130zleyen ki\u015fi bu resimleri \u00e7\u00f6z\u00fcmleyebilmekte zorlan\u0131r. Kendini de metafora tutulmu\u015f gibi hisseder, i\u00e7i titrer. Bu resimler i\u00e7 i\u00e7e ge\u00e7mi\u015f bir\u00e7ok duygunun a\u00e7\u0131\u011fa \u00e7\u0131karak tek karede anlat\u0131m\u0131d\u0131r.<\/p>\n

Bu resimler ki\u015finin kendisine bile anlatamad\u0131\u011f\u0131, tan\u0131mlayamad\u0131\u011f\u0131 duygular\u0131n an an \u00fcst \u00fcste bindirilerek anlat\u0131m\u0131d\u0131r.<\/p>\n

Sanal ya\u015famdan kurgulanan imgeler, tan\u0131mlanamayan bir b\u00fct\u00fcn\u00fcn tan\u0131mlanan par\u00e7as\u0131d\u0131r.<\/p>\n

Serap Demira\u011f\u00a0Yunus Emre<\/em>\u00a0gibi.<\/p>\n

Altundand\u0131r direkleri<\/em><\/strong><\/p>\n

G\u00fcm\u00fc\u015ftendir yapraklar\u0131<\/em><\/strong><\/p>\n

Uzand\u0131k\u00e7a budaklar\u0131<\/em><\/strong><\/p>\n

Biter Allah dey\u00fc dey\u00fc\u00a0\u00a0<\/em><\/strong><\/p>\n

diyerek yola \u00e7\u0131k\u0131p hayat\u0131 sorguluyor, yarat\u0131c\u0131s\u0131na hep te\u015fekk\u00fcr ediyor,<\/p>\n

Mur\u00e2d\u0131ma, maks\u00fbduma ermezsem<\/em><\/strong><\/p>\n

Hay\u0131f bana, yaz\u0131k bana, vah bana,<\/em><\/strong><\/p>\n

diyerek durmadan \u00e7al\u0131\u015f\u0131yor.<\/p>\n

O hayat\u0131n ve insan\u0131n s\u0131rlar\u0131n\u0131 resimleriyle \u00e7\u00f6zmeye \u00e7al\u0131\u015f\u0131yor. Her resmine b\u00fcy\u00fck anlamlar y\u00fckl\u00fcyor.<\/p>\n

Bazen bir at \u015fahlanarak yaratan\u0131n\u0131 \u00e7a\u011f\u0131r\u0131yor, onun izniyle \u015fahlan\u0131yor.<\/p>\n

Serap Demira\u011f\u2019\u0131n resimleri bazen tap\u0131nmad\u0131r, bazen ba\u015fkald\u0131r\u0131d\u0131r, uzayda ve i\u00e7 d\u00fcnyas\u0131nda gezinmedir.\u00a0 Her \u015feyden \u00f6nemlisi her resmi y\u00fczlerce s\u00f6zd\u00fcr, \u015fiirdir.<\/p>\n

Serap Demira\u011f\u2019\u0131n resimleri epik \u015fiirdir, makalelerindeki anlat\u0131mlar\u0131 gibi…<\/p>\n

G\u00f6kku\u015fa\u011f\u0131 vuruldu elmaya… Tutuldu su ate\u015fe, ate\u015f suya… ve ask\u0131lardan sarkt\u0131 nice y\u00fczy\u0131llar. Unutu\u015f ve ihanet oklar\u0131 uzakla\u015ft\u0131rd\u0131 Eros\u2019u, Popol Vuh, Kalavela, G\u0131lgam\u0131\u015f, Ate\u015f Arabalar\u0131, Ramayana…<\/p>\n

Her sanat\u00e7\u0131 gibi ben de kondu\u011fum mirasla ba\u015flad\u0131m gelece\u011fime… Bunun evrensel bir miras oldu\u011funu, ba\u015f\u0131mdan ge\u00e7enlerinse yerini bulaca\u011f\u0131n\u0131 biliyorum gelecekte. Evrim s\u00fcrecinin \u00fcst\u00fcndeki de\u011fi\u015fmez \u00f6zlerle ilerliyorum. Sanat ser\u00fcvenini enine boyuna t\u00fcm boyutlar\u0131yla ya\u015farken, ku\u015fkusuz \u00e7ok farkl\u0131 bi\u00e7imler gelip ge\u00e7ti i\u00e7imden, ama gelece\u011fe kendi k\u0131y\u0131lar\u0131mdan bakt\u0131m hep. Zaman zaman da b\u00fcy\u00fclendim. Bunun insan\u0131 oldu\u011funu d\u00fc\u015f\u00fcnm\u00fcyorum. Ancak o b\u00fcy\u00fcn\u00fcn ge\u00e7mi\u015fin g\u00fczelliklerini ve de\u011ferini t\u00fcm\u00fcyle silmesine hi\u00e7 izin vermedim g\u00f6zlerimden. Tarihe iz d\u00fc\u015fmekten bahsetmiyorum ku\u015fkusuz. Suyun \u00fcst\u00fcnde kaland\u0131r, se\u00e7kinliklerdir bak\u0131\u015ft\u0131\u011f\u0131m.<\/p>\n

\u201cKolay g\u00f6r\u00fcnse de her seferinde yap\u0131lm\u0131\u015flar\u0131n, ya\u015fanm\u0131\u015fl\u0131klar\u0131n yaratt\u0131\u011f\u0131 bir kaos i\u00e7inde buldum kendimi. Ger\u00e7ekte hep iki ya\u015fam aras\u0131nday\u0131zd\u0131r<\/strong><\/em>,<\/strong>\u201d der, John Berger.\u00a0 Elbette kolay de\u011fildir bir di\u011ferine ge\u00e7mek.<\/p>\n

Ya\u015fay\u0131p \u00f6\u011frendi\u011fim \u015fu laboratuvar planetinden alg\u0131lad\u0131klar\u0131m\u0131n \u00fczerine pek \u00e7ok \u015feyi kat\u0131p, zaman zaman da pek \u00e7ok \u015feyi \u00e7\u0131kart\u0131p at\u0131yorum muzip\u00e7e…<\/p>\n

Sa\u011fl\u0131kl\u0131 olu\u015fumlar, olmak ve olmamak aras\u0131ndaki o \u00e7ok hassas dengeyi kurmakla ger\u00e7ekle\u015fir.\u00a0 \u00d6zlenen yar\u0131nlara da ancak bu \u015fekilde ula\u015f\u0131l\u0131r.<\/p>\n

Yapmam gereken\u00a0\u201cOlmam\u0131\u015f oldu\u011fumu olmak,<\/strong>\u201d<\/em>\u00a0diye d\u00fc\u015f\u00fcn\u00fcyorum. Bir zamans\u0131zl\u0131k neferiyim. Sanki zaman\u0131n d\u0131\u015f\u0131na \u00e7\u0131k\u0131yorum \u00e7o\u011fu kez. O duruyor, ben gidiyorum.<\/p>\n

\u201cOnlar\u0131n kal\u0131nt\u0131lar\u0131ndan do\u011facak \u015fafa\u011f\u0131m,<\/em><\/p>\n

Benim g\u00f6rd\u00fcklerimi d\u00fc\u015f\u00fcnde bile g\u00f6rmemi\u015f \u015fafak. \u201c<\/em><\/p>\n

ARAGON<\/em><\/strong><\/p>\n

 <\/p>\n

Ger\u00e7ekliklerime bula\u015fan e\u011freti egemenlikleri y\u0131kt\u0131m hep.<\/p>\n

Ben do\u011fan\u0131n \u00f6tesine gitmek, s\u00fcreklili\u011fimi b\u00f6yle korumak zorunday\u0131m. Biliyorum ki yazg\u0131 \u00f6z karma\u015fas\u0131n\u0131 ancak b\u00f6yle yenebilirim.<\/p>\n

Her g\u00fc\u00e7 \u00f6z oda\u011f\u0131ndan do\u011far. Do\u011far, b\u00fcy\u00fcr, geli\u015fir ve t\u00fckenir.<\/p>\n

Evrensen bilin\u00e7 \u2018hi\u00e7\u2019liktir. Bu kendini a\u015fma ar\u0131kl\u0131\u011fa eri\u015fmedir. \u0130\u015fte insan\u0131 \u201chep\u201dli\u011fe ula\u015ft\u0131ran bu ar\u0131kl\u0131kt\u0131r. \u201cHep\u201dlik, kozmik d\u00fc\u015f\u00fcnsel \u00f6zerk b\u00fct\u00fcnl\u00fckt\u00fcr. Varl\u0131\u011fa da ancak b\u00f6yle ula\u015f\u0131l\u0131r. Tek dili\u00a0sevgidir<\/em>.\u00a0 Bu sevgidir i\u015fte enerji saklamas\u0131n\u0131 renge d\u00f6n\u00fc\u015ft\u00fcren ve bu sevgidir k\u0131rk dokuz rengi siyahtan ay\u0131ran. Sis boyutunu \u0131\u015f\u0131k boyutuna d\u00f6n\u00fc\u015ft\u00fcren. Sanat i\u015fte bu sevgiyle kucakla\u015f\u0131r ve sevgiyle s\u00f6yle\u015fir.<\/p>\n

\u201cPlastik sanatlar kolayl\u0131kla ele vermez kendini,<\/strong>\u201d<\/em>\u00a0der Gauguin;\u00a0\u201cOnlar\u0131 konu\u015fturmak isteyenlerin durmadan sorgulamas\u0131 gerekir hem yap\u0131tlar\u0131n\u0131 hem de kendilerini.<\/strong>\u201d<\/em>\u00a0Evet sanat hem sorgular, g\u00f6z\u00fc yan\u0131ltabilir hem de sorgulat\u0131r.<\/p>\n

\u0130nsan, insan olma \u015fans\u0131n\u0131 ancak sanatla yakalayabilir.<\/p>\n

\u00dcst ger\u00e7ek g\u00f6z\u00fc yan\u0131ltarak gelir. Her biri bir \u00f6ncekinin i\u00e7inden ba\u015flar ve ben bir bitmemi\u015fli\u011fi ya\u015far\u0131m.<\/p>\n

Bir embriyodur. Safl\u0131kt\u0131r elma. Ar\u0131kt\u0131r. Bir olu\u015fum, bir d\u00f6n\u00fc\u015f\u00fcmd\u00fcr. D\u00fcnyad\u0131r, g\u00fcne\u015ftir. Galaksiler olu\u015fturur resimlerimde, ke\u015ffedilmemi\u015f. Atomdur. Ya\u015far. Ya\u015far ve par\u00e7alan\u0131r. Dilimleriyle ba\u015f kald\u0131r\u0131r biteviye. \u0130lk evrensel k\u0131\u015fk\u0131rt\u0131c\u0131, ilk evrensel ba\u015ftan \u00e7\u0131kar\u0131\u015f, ilk a\u00e7\u0131k veri\u015ftir. D\u00fcnya cennetinin ke\u015ffi, insanl\u0131k tarihinin gizidir. Evrensel ilk a\u015fkt\u0131r. A\u015fk\u0131n laboratuvar cennetindeki ilk k\u0131v\u0131lc\u0131m\u0131d\u0131r. Bir sunu, bir kavga, bir ceza, bir uzla\u015fmad\u0131r. Yaln\u0131zl\u0131kt\u0131r, tepelerde ge\u00e7mi\u015ftir, gelecektir.<\/p>\n

Dile gelmeyen her \u015fey… “ve Ate\u015f… ve I\u015f\u0131k<\/strong>\u201d SERAP DEM\u0130RA\u011e<\/p>\n

Serap Demira\u011f\u2019\u0131n i\u00e7indeki ATE\u015e ve I\u015eIK Nesimi gibi Enel hak demesindendir.<\/p>\n

Newton (1643-1727) as\u0131rlar \u00f6ncesinde fizik yasalar\u0131n\u0131 ortaya koyarken bug\u00fcn\u00fcn gelecek teknolojisini de olu\u015fturmu\u015f. Ayn\u0131 zamanda bilincin uzayda \u0131\u015f\u0131k h\u0131z\u0131ndan daha h\u0131zl\u0131 yol ald\u0131\u011f\u0131n\u0131 da ortaya koymu\u015f. Bu nedenle bilince ula\u015fan insan sonsuzlu\u011fa da ula\u015f\u0131r. \u00c2lem a\u00e7\u0131lm\u0131\u015f insand\u0131r. \u00c2lem k\u00fc\u00e7\u00fclm\u00fc\u015f insand\u0131r.\u00a0 Kalbin g\u00fcne\u015ftir, ruhun ise \u00e2lemin ta kendisi…<\/p>\n

D\u0131\u015favurumunu imgesel fantezi olarak ortaya koyan k\u0131ymetli arkada\u015f\u0131m, ortaya koydu\u011fun t\u00fcm \u015fiirsel eserlerin i\u00e7in sanat ad\u0131na, t\u00fcm d\u00fcnya insanlar\u0131 ad\u0131na, yurdum insanlar\u0131 ve kendi ad\u0131ma te\u015fekk\u00fcr ediyor, yolun a\u00e7\u0131k, g\u00fcc\u00fcn bol olsun diyorum.<\/p>\n

G\u00dcLSEREN S\u00d6NMEZ,\u00a0<\/em>Ekim 2022<\/p>\n

 <\/p>\n

SERAP DEM\u0130RA\u011e- B\u0130YOGRAF\u0130<\/strong><\/p>\n

1951 y\u0131l\u0131nda Alpullu, K\u0131rklareli’nde do\u011far. O g\u00fcnler babas\u0131n\u0131n \u015feker fabrikas\u0131nda \u00e7al\u0131\u015ft\u0131\u011f\u0131 y\u0131llard\u0131r.\u00a0 Bebeklik ya\u015flar\u0131ndan an\u0131msad\u0131\u011f\u0131 d\u00fcmd\u00fcz yemye\u015fil \u00e7ay\u0131rlard\u0131r.\u00a0 O y\u0131llar resimlerindeki y\u00fczeysel dokuyu olu\u015fturan, i\u00e7 benli\u011fini olu\u015fturan zenginliktir. O, bebekli\u011finde ald\u0131\u011f\u0131 mutlulukla y\u00fcr\u00fcr sanata ve hayata.<\/p>\n

Babas\u0131n\u0131n mesle\u011fi nedeniyle neredeyse t\u00fcm \u015feker fabrikalar\u0131n\u0131n oldu\u011fu il ve il\u00e7eleri dola\u015f\u0131rlar. Bu dola\u015fmalar onun ruhuna farkl\u0131 farkl\u0131 ya\u015famlar\u0131n, do\u011falar\u0131n ve \u00f6yk\u00fclerin oldu\u011funu \u00f6\u011fretir.\u00a0 Her \u015fehrin do\u011fas\u0131 hik\u00e2yeleri yava\u015f yava\u015f doldurur zihnini. Ya\u015fad\u0131\u011f\u0131 her \u2018an\u2019 i\u00e7i binlerce \u00f6yk\u00fcy\u00fc anlatan \u2018an\u2019lard\u0131r.<\/p>\n

Bu \u2018an\u2019lar minik Serap\u2019\u0131n haf\u0131zas\u0131na dolar da dolar. Babas\u0131 m\u00fczisyendir, evlerinde her an m\u00fczik vard\u0131r, Babas\u0131 saksafon, piyano \u00e7alar. M\u00fczik onun ruhunun dolmas\u0131 i\u00e7in en b\u00fcy\u00fck zenginlik kayna\u011f\u0131d\u0131r. Ruhunun u\u00e7mas\u0131na \u00f6te d\u00fcnyalara yolculuk yapmas\u0131na neden olur.<\/p>\n

O, i\u00e7ini dolduran m\u00fczi\u011fi de\u011fil de \u00f6yk\u00fclerle dolu ruhunun yolunu se\u00e7er.\u00a0 \u0130\u00e7indeki \u00f6yk\u00fcleri anlataca\u011f\u0131 en iyi yol da resim sanat\u0131d\u0131r. Bu yolda ilerlemek i\u00e7in, 1970-71 y\u0131llar\u0131nda Dokuz Eyl\u00fcl \u00dcniversitesi Buca E\u011fitim Fak\u00fcltesi Resim B\u00f6l\u00fcm\u00fcne girer ve mezun olur. Art\u0131k \u00f6\u011fretmendir.<\/p>\n

1986 y\u0131l\u0131nda Marmara \u00dcniversitesi G\u00fczel Sanatlar Fak\u00fcltesi lisans e\u011fitimini tamamlar.<\/p>\n

\u00d6\u011frencilik y\u0131llar\u0131ndan ba\u015flayarak i\u00e7inde biriktirdiklerini anlatmak i\u00e7in resimler yapar. Resimleri, i\u00e7indeki birikimin fantastik d\u0131\u015favurumudur. Bazen de s\u00fcrrealisttir. 43 ki\u015fisel sergi a\u00e7ar.<\/p>\n

Serap\u00a0\u201cBen kal\u0131plara s\u0131\u011fmam, yapt\u0131\u011f\u0131m resimler benim zengin hayal d\u00fcnyamd\u0131r<\/strong>,\u201d<\/em> der.<\/p>\n

Yazd\u0131\u011f\u0131 Kitaplar:<\/em><\/strong><\/p>\n

1991 – OYLUMLAR Resim kitab\u0131<\/p>\n

1995 – VE ISIK… VE ATES… Resim kitab\u0131<\/p>\n

2004 – VE ISIK… VE ATES… VE \u0130NSAN… \u015eiir kitab\u0131<\/p>\n

Yer Ald\u0131\u011f\u0131 Ansiklopediler:<\/em><\/strong><\/p>\n

1973 – T\u00fcrk Plastik Sanat\u00e7\u0131lar\u0131 Ansiklopedisi, Ankara Sanat Yay\u0131nlar\u0131, Cilt 3, s.860<\/p>\n

1994 – T\u00fcrk Plastik Sanat\u00e7\u0131lar\u0131 Ansiklopedik S\u00f6zl\u00fck, Yap\u0131 Kredi Yay\u0131nlar\u0131, s.111<\/p>\n

1995 – G\u00fcn\u00fcm\u00fcz T\u00fcrk Resim Sanat\u0131 1950\u2019den 2000\u2019e, Bilim Sanat Galerisi Yay\u0131nlar\u0131, ss.144-146<\/p>\n

2007 – Who is Who T\u00fcrkiye Ansiklopedisi, ss. 358-359 )<\/p>\n

 <\/p>\n

\u00d6d\u00fclleri:<\/em><\/strong><\/p>\n

1973: T\u00fcrk Dil Kurumu \u00d6zel \u00d6d\u00fcl\u00fc<\/p>\n

1984: Zef Clement \u00d6d\u00fcl\u00fc<\/p>\n

1989: K\u00fclt\u00fcr Bakanl\u0131\u011f\u0131 “Mevlana” Resim Yar\u0131\u015fmas\u0131 Mansiyon<\/p>\n

1990: 24. DYO Resim Yar\u0131\u015fmas\u0131 Mansiyon<\/p>\n

1992: Yar\u0131mca K\u00fclt\u00fcr Festivali \u00d6zel \u00d6d\u00fcl\u00fc<\/p>\n

1992: Tekel Resim Yar\u0131\u015fmas\u0131 1.lik \u00d6d\u00fcl\u00fc<\/p>\n

1996: Habitat 2. Resim Yar\u0131\u015fmas\u0131 2.lik \u00d6d\u00fcl\u00fc<\/p>\n

 <\/p>\n

Kat\u0131ld\u0131\u011f\u0131 Etkinlikler:<\/em><\/strong><\/p>\n

1994 – Kaya \u00d6zsezgin, \u2018Sanat Program\u0131\u2019 TRT2<\/p>\n

1994 – TRT 1 Radyo Program\u0131<\/p>\n

1999 – \u00d6nder \u015eenyap\u0131l\u0131, \u2018Sanattan Kesitler\u2019 TRT2<\/p>\n

1999 – \u2018D\u00f6rt Mevsim Kad\u0131n\u2019 TRT2-TRTINT<\/p>\n

2000 – \u2018Sanatta Sevgi; Sema; Kuantum Fizi\u011fi\u2019 TRT2<\/p>\n

2001 – \u201cSanat Program\u0131\u201d Mersin Radyosu<\/p>\n

2006 – \u201cTek Nefeste A\u015fk\u201d program sunuculu\u011fu ve dan\u0131\u015fmanl\u0131\u011f\u0131 TRT INT[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_empty_space height=”120″][vc_custom_heading text=”SERAP DEM\u0130RA\u011e Resimleri Epik \u015eiirdir” font_container=”tag:h2|text_align:left|color:%23DD3333″ use_theme_fonts=”yes” css=””][vc_empty_space height=”10″][vc_row_inner][vc_column_inner width=”1\/3″][vc_single_image image=”12025″ img_size=”medium” css=””][\/vc_column_inner][vc_column_inner width=”1\/3″][\/vc_column_inner][vc_column_inner width=”1\/3″][\/vc_column_inner][\/vc_row_inner][vc_empty_space][vc_column_text css=””]Onlar\u0131n kal\u0131nt\u0131lar\u0131ndan do\u011facak \u015fafa\u011f\u0131m, Benim g\u00f6rd\u00fcklerimi d\u00fc\u015f\u00fcnde bile g\u00f6rmemi\u015f \u015fafak. \u00a0ARAGON Yapmam gereken: \u201cOlmam\u0131\u015f oldu\u011fumu, olmak,\u201d Zaman\u0131n d\u0131\u015f\u0131na \u00e7\u0131k\u0131yorum \u00e7o\u011fu kez. O duruyor, ben gidiyorum. Bayraks\u0131z g\u00f6ky\u00fcz\u00fcd\u00fcr resimlerim. SERAP DEM\u0130RA\u011e \u00a0A\u015fk\u0131n ald\u0131 benden beni, Bana seni gerek seni […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page.php","meta":{"footnotes":""},"class_list":["post-12023","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.serapdemirag.com.tr\/index.php?rest_route=\/wp\/v2\/pages\/12023","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.serapdemirag.com.tr\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.serapdemirag.com.tr\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.serapdemirag.com.tr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.serapdemirag.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12023"}],"version-history":[{"count":2,"href":"https:\/\/www.serapdemirag.com.tr\/index.php?rest_route=\/wp\/v2\/pages\/12023\/revisions"}],"predecessor-version":[{"id":12028,"href":"https:\/\/www.serapdemirag.com.tr\/index.php?rest_route=\/wp\/v2\/pages\/12023\/revisions\/12028"}],"wp:attachment":[{"href":"https:\/\/www.serapdemirag.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12023"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}